Program
Civic Creative Base Tokyo [CCBT] × Performing Arts Festival: Autumn Meteorite Tokyo
Future Ideations Camp Vol. 7 Keynote Lectures 1–3: Theo Triantafyllidis, Elena Knox, lololol
Three public keynote lectures will be held as part of Future Ideations Camp, organized in collaboration with Civic Creative Base Tokyo [CCBT]. Featuring three groups of artists active in Japan and abroad, the series will explore the themes of synchronization, co-presence, and mimesis through their respective practices.
"Future Ideations Camp Vol.7|Super Sober Shamanism: Rethinking Synchronization, Co-Presence, and Mimicry through the Lenses of Theater and Technology" is a short, intensive workshop hosted by Civic Creative Base Tokyo [CCBT], a hub for developing people’s creativity in ways that meaningfully engage with society through art and digital technology, and Performing Arts Festival: Autumn Meteorite 2025 Tokyo. It aims to provide a space for learning about the use of technology in theater, as well as creating networking opportunities for professional explorations of the medium and proposing new frameworks for the theater of the future.
As part of the program, three keynote lectures will be held, inviting artists and researchers from Japan and abroad to explore the themes of synchronization, co-presence, and mimicry through their practices. The three keynote lectures will feature: up-and-coming media artist Theo Triantafyllidis; Elena Knox, an artist whose interdisciplinary practice encompasses digital media, performance, music, and installation; and Xia Lin and Sheryl Cheung from the Taiwan-based artist collective lololol.
In each lecture, the speaker will introduce the latest examples of their work at the intersection of theatre and digital technology, and new artistic approaches that arise between physicality and technology from the unique perspective of their practice.
Don’t miss this rare opportunity to hear lectures from leading figures in their fields.
Dates
October 1st (Wednesday), 2025 - October 4th (Saturday)
Schedule
Dates: Wed Oct 1, Thu Oct 2, Sat Oct 4, 2025 / 7:30 – 9:00pm (doors open: 7:15pm)
Venue: Tokyo Metropolitan Theatre Atelier West, Online Streaming (CCBT YouTube channel)
Capacity: 40 (Reservation required / Available on a first come, first served basis)
Admission: Free
*The lectures will be livestreamed and available to watch on the official CCBT YouTube channel (no registration required).
CCBT YouTube channel: https://www.youtube.com/@civiccreativebasetokyoccbt3744
Accessibility support: Simultaneous Japanese-English interpretation, Sign language interpretation (English–JSL, only available in person at the venue), Text-based communication (UD Talk)
*Due to the need to arrange for sign language interpreters, if you require interpretation, please register by Tuesday, Sep, 23rd.
If you have other accessibility requests or special requirements, please contact us as below.
Inquiry: event@autumnmeteorite.jp
【Keynote Lecture 1】
Theo Triantafyllidis: Feral Systems, an Artist Talk by Theo Triantafyllidis
Date: Wed Oct 1, 7:30pm – 9:00pm
Lecturer (online): Theo Triantafyllidis (artist)
*Registration required
**Japanese-English simultaneous interpretation and text-based communication (UD Talk)will be provided.
***Sign language interpretation (English –JSL, only available in person at the venue)
Theo Triantafyllidis builds performative systems that resist legibility. They stutter, overflow, and double back on themselves. In this artist talk, he presents a constellation of recent works – "Feral Metaverse", "Anti-Gone", "BugSim (Pheromone Spa)" – alongside in-progress experiments and behind-the-screens scaffolding, offering a look into a practice where simulation is treated as stage rather than spectacle.
These are moody, procedural worlds where engines stall, avatars drift off-script, and physics develop personalities. Triantafyllidis doesn’t design clean interactions, he cultivates volatile arrangements. Creatures, players, networks, and algorithms locked in uncertain liveness. This is not user-centered design. It’s the poetics of mutual misrecognition.
What emerges is a rehearsal space for unstable ontologies: somewhere between a LAN party, a fever dream, and a bad dress run of the future. A world where technology isn’t optimized, but embodied: intimate, leaky, semi-coherent, occasionally exquisite.
Theo Triantafyllidis
【Keynote Lecture 2】
Elena Knox: The Techne, the Daimon, and the Unknown Superfactor!
Date: Thu Oct 2, 7:30pm – 9:00pm
Lecturer (online): Elena Knox (artist, curator, researcher)
*Registration required
**Japanese-English simultaneous interpretation and text-based communication (UD Talk)will be provided.
***Sign language interpretation (English –JSL, only available in person at the venue)
Why do humans use arts, crafts, and technical skill to create copies of ourselves? In this talk, I will space-time travel through my own and other humans’ artworks that wrestle with this method of shamanic mirroring, suggesting that it arises from an underlying, species-level drive to artificially contextualize humankind’s position in the whole universe. This is me. This is us. This is my echo. Are we alone? Can you see, or hear, or smell, or feel, or know us? Why is the ‘stage’ for my life so incomprehensibly huge, and my life so distressingly short? Is there such a thing as control? Am I accidental? Am I too stupid to understand? Am I the same, or different? Do you care about me, and my survival? Is there, indeed, any other ‘you’ … out there or all around, somewhere, far from Earth?
As pioneers of technology develop evermore intricate tools for humanity to use — and as AI begins to apply reduplicated knowledge to prototypical acts of creation — we continue to seek both stabilizing reflections of ourselves and explanations for uncharted phenomena. Whether these objectives are compatible is unproven.
Art as shamanism mediates between them.
Elena Knox
【Keynote Lecture 3】
lololol: Choreography of Collapse
Date: Sat Oct 4, 7:30pm – 9:00pm
Lecturer (online): lololol (artist collective)
*Registration required
**Japanese-English simultaneous interpretation and text-based communication (UD Talk)will be provided.
***Sign language interpretation (English –JSL, only available in person at the venue)
Choreography of Collapse explores how the body learns not just to live with machines, but to live through them.
The first part introduces "3C Xing Yi Quan," a new form of martial arts that seeks to internalize the logic of contemporary devices—computers, communications, and consumer electronics. Rooted in the tradition of internal mobilization, this practice cultivates equilibrium of mind and body in the digital age. It does not aim to passively use or actively resist technology, but to mirror, absorb, and re-pattern its cues.
The second part, "Fractal Memory," listens to the forgotten acoustics of broken hard drives—those discarded containments of memory. Through their fractured rhythms and chanting circuits, a new soundscape emerges: a choreography of breakdown, where malfunction becomes the message, and data collapse gives rise to an aesthetics of survival.
Together, these two parts offer a meditation on coexistence and becoming—where systems fail, but new forms of attunement, adaptation, and embodiment begin to stir. These works continues the artist’s long-term engagement with natural, industrial, and electronic ambiances— to trace a new cosmic ontology in contemporary life.
lololol
▼Registration
Please register by one of the following methods.
Due to the need to arrange for sign language interpreters, if you require interpretation, please register by Tue Sep 23.
If you have other accessibility requests or special requirements, please contact us at the email address below.
1) Online form
Please click the link below and fill in the registration form (external website).
https://futureideationscamp7keynote.peatix.com
2) Email
Please email the address below with your information. Please be sure to write “Camp Vol. 7 Keynote Lectures registration” in the email subject line.
Email: event@autumnmeteorite.jp
Subject line: Camp Vol. 7 Keynote Lectures registration
1. Name
2. Email address
3. Choice of lecture/date.
4. Accessibility requests (e.g., sign language) (if applicable)
Venue
Tokyo Metropolitan Theatre (Atelier West)
Ticket Information
Show more ticket details
Where to Book Tickets
Free Admission(Reservation Required)
Accessibility
- For guests with physical disabilities
Profile

©︎Jennifer Bobe
Theo Triantafyllidis
Born in 1988 in Athens, Theo Triantafyllidis is an artist who works with digital and physical media to explore the experience of space and the mechanics of embodiment in hybrid realities. Utilizing algorithms and game engines, virtual reality headsets, and experimental performance processes, he creates interactions within immersive environments. In Triantafyllidis’s worlds, awkward interactions and precarious physics mingle with uncanny, absurd, and poetic situations, inviting the viewer to engage with new realities. He holds an MFA in design media arts from UCLA and a Diploma of Architecture from the National Technical University of Athens.
https://www.slimetech.org/

©︎Lindsay Webb
Elena Knox
Elena Knox lives and works in Tokyo. Her projects present ultra-contemporary scenarios where humans live deeply enmeshed with synthesized things. Her recent works use cutting-edge Japanese robots to audition roles of identity and belief in technoscience futures. Others explore new visions of gender and cyber-organics in dreamlike, stripped-back situations. Knox won the Apex Art New York international curatorial competition for her exhibition "“Can you fuck it?” – The Fembot Phenomenon" (2022). Her recent exhibitions include the Seoul International New Media Festival (2024), Venice Art Night (2024), Ars Electronica (2023), Taiwan International Video Art Exhibition (2023), Echigo-Tsumari Art Triennale (2022), ICC Annual (2022), Bangkok Art Biennale (2020), Yokohama Triennale (2020), and "Future and the Arts" (2019–20, Mori Art Museum). She holds a PhD in media art from UNSW Sydney.
http://www.elenaknox.com/

lololol
The collective lololol is boundless laughter, an endless extension of lol (laugh out loud), an acronym that appears to be constructed by the building blocks of the I Ching and/or computer code. Founded by Xia Lin and Sheryl Cheung in 2013, the artist collective focuses on how emotions and body politics are informed by diverse technology cultures, with special interests in martial arts, materialist ontologies, and Taoist-informed philosophies. Future Tao is the group’s ongoing initiative to engage with Taoist mind and body practices as an alternative approach to technological exploration. The collective’s works, performances, and collaborative projects have been shown at Berwick Film and Media Arts Festival in the UK, Taipei Arts Festival, Times Museum in China, Vernacular Institute in Mexico, Flaneur Festival in Denmark, Liquid Architecture in Australia, and Contemporary at Blue Star in the United States, among others.
https://lololol.net/

Civic Creative Base Tokyo [CCBT]
Civic Creative Base Tokyo (CCBT) is a hub for developing your creativity in ways that meaningfully engage with society through art and digital technology. Equipped with creative spaces and studios, CCBT organizes a wide-ranging program of events and projects to serve as a driving force for making Tokyo better through creativity and technology.
https://ccbt.rekibun.or.jp/en/about
Directors: Masato Eguchi, God Scorpion, Chiharu Shinoda
Program Direction: Takayuki Ito (CCBT)
Dramaturg: Yoshiro Hatori (Autumn Meteorite), Yusuke Kimura (&Co.)
Program Management: Hirohiko Hanzawa (Autumn Meteorite), Haruka Ito (CCBT), Moeko Kashima, Rin Terada (Autumn Meteorite)
Technical Direction: Daiki Miura (arsaffix)
Technical Staff: Gamze Baktir (arsaffix), Miki Hirase (arsaffix), Shunpei Inada (CCBT), Yuya Ito (arsaffix), Ryuji Murakawa (arsaffix), Masashi Otsuto (CCBT), Sen van der Heide (CCBT)
Live Streaming: Okamoto Akio (Ney-Anton G.K.)
Archive: Hibiki Miyazawa (COG WORKS Co., Ltd.), Shunsuke Watanabe
Operation: Keiichi Hayashi (onocoro), Nanana Kanmuri (onocoro), Kanako Iwanaka (onocoro), Miki Koizumi (onocoro)
Production: Civic Creative Base Tokyo [CCBT], Performing Arts Festival: Autumn Meteorite Tokyo
Organizer: Tokyo Metropolitan Government, Civic Creative Base Tokyo [CCBT] (Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture), Tokyo Festival Executive Committee [Tokyo Metropolitan Government, Tokyo Metropolitan Theatre (Tokyo Metropolitan Foundation for History and Culture)]

Organizer: Tokyo Festival Executive Committee [Tokyo Metropolitan Government, Tokyo Metropolitan Theatre (Tokyo Metropolitan Foundation for History and Culture)]
Support: Agency for Cultural Affairs, Government of Japan Japan Arts Council
Sponsor: Asahi Group Japan, Ltd.
Media Partner: Tokyo Art Beat

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Inquiries
<For general inquiries>
Tokyo Festival Executive Committee Office
TEL: +81 -3-6812-1663 (Weekdays (except venue holidays) 11:00am - 5:00pm)
<For Keynote inquiries>
Person in charge of Future Ideations Camp Vol.7
event@autumnmeteorite.jp
