Would you like to enable the gyroscope for this site?

Documentary theater between a mother who lives in Mexico and a son who makes a living in theater
New forms of art and money arise in a powerful mother’s retelling of economic history

Mexican playwright and director Anacarsis Ramos and his mother, Josefina, are from Campeche, which is on the west side of the Yucatán Peninsula. A fortified city during the Spanish colonial period, it evolved into a region with one of the world’s largest petroleum reserves. Over the last few decades, it has also been one of the Mexican states with the largest population of people living in poverty. In the sixty years since 1960, Josefina has worked in this town at a string of over forty jobs of all kinds—barber, chorizo seller, video blogger—just to make ends meet. Her son Anacarsis, however, moved to Mexico City to pursue theater, escape the violence and oppression prevalent in Campeche, and come to terms with his identity as a gay man. Caught in the rise and fall of Campeche’s society and economy, the family drifted apart for many reasons, such as widespread poverty, lack of a social welfare system, and difficulties in Ramos’s creative career.

In this work of documentary theater, the mother and son recount Campeche’s economic history on stage, depicting the family amid economic and social developments and failures. His mother speaks, sometimes with humor, about her sales techniques and strategies for survival, while her son asks her questions, opening up a dialogue about theater, class society, and the harsh reality of everyday life. The family is regenerated through the creation of theater, and this process of rebuilding a new relationship is laid bare in front of the audience. Blending methods from documentary and theater, Anacarsis’s ability to interweave social criticism and personal history is impressive, and Josefina’s power is unmissable. Despite the larger societal forces to which she has been subjected, she gives her own economic history new meaning by retelling it, while boldly challenging the theater—and the entire global performing arts world—with her charisma.

Dates

October 16th (Friday), 2026 - October 18th (Sunday)

Schedule

Fri Oct 16, 7:00pm★
Sat Oct 17, 3:30pm
Sun Oct 18, 11:30am◎

◎=Audio Description & Touch tour available for guests who are blind or have low vision (Reservation required. Japanese Only)
★=A 30-minute post-performance talk is scheduled after the performance.


▼Post-Performance Talk
A post-performance talk will be held following the 7:00pm performance on Friday, October 16. The event will feature Anacarsis Ramos and Toshiki Okada. All audience members attending the performance on that day are welcome to join the talk.

Date: Fri Oct 16 after the 7:00pm performance
Venue: Tokyo Metropolitan Theatre (Theatre West)
Language: English and Japanese (consecutive interpretation)
Time required: about 30 minutes
Speakers: Anacarsis Ramos, Toshiki Okada (Artistic Director, Performing Arts Festival: Autumn Meteorite Tokyo)

Venue

東京芸術劇場 シアターウエスト

Additional info about Runtime: Doors open 30 mins before the performance starts. Reception begins 60 mins before the performance starts

Runtime:

90 MIN 

Performance Language: Spanish

Surtitle Language: Japanese and English

Ticket Information

Show more ticket details

Sales period

On general sale from: Sat Aug 8, 10:00am -

Where to Book Tickets

【Tokyo Metropolitan Theatre Box Office】
Online
https://www.geigeki.jp/en/ticket/  
・Only Japanese credit cards / cash payments accepted
・Tickets can be bought 24/7 (Excluding when the website is down for maintenance)

Phone
0570-010-296
・10:00 to 19:00 excluding days when the theatre is closed
・It is not possible to call the Box Office from international numbers, some IP phones or prepaid mobile phones.

Box Office
Open on the 1st floor of Tokyo Metropolitan Theatre
・Only Japanese credit cards / cash payments accepted
・Opening hours: 10:00 to 19:00 (excluding holidays)


【Ticket PIA】
Only Japanese credit cards / cash payments accepted
・WEB (https://w.pia.jp/t/geigeki/)
・Available at Seven-Eleven stores nationwide

【e+ (e-Plus)】
Only Japanese credit cards / cash payments accepted
・WEB (https://eplus.jp/geigeki/)
・Available at FamilyMart FamiPort

【Lawson Ticket】
Only Japanese credit cards / cash payments accepted
・Web (https://l-tike.com/)
・Available at Lawson and Ministop Loppi

Important Information

* Children below school age will not be admitted.
* Tickets with age-based discounts are available in advance only through the Tokyo Metropolitan Theatre Box Office (limited quantities available; valid ID required on the day of the performance).
* We cannot provide a refund for the difference if you are eligible for an age discount but you purchase a general admission ticket. In addition, if you purchase a discounted ticket that you are not eligible for, then you will be asked to pay the difference at the reception counter on the day of the performance.
* Visitors with a Disability Certificate or Mirairo ID can get tickets at a discounted price. Please check with the box office or the official website and check “Hello and Welcome (Attendee Support)".
* Please contact the Box Office (0570-010-296) before purchasing a ticket if you are a wheelchair user as there is limited space within our venue.
* A hearing loop (magnetic loop) is available for some audience seats in this performance.
* Performance information and other details may be subject to change due to unavoidable circumstances.
* The reserving, buying or reselling of tickets for commercial purposes is strictly prohibited.
* We do not accept cancellations or changes once tickets have been purchased. This excludes where a performance is cancelled.
* Please be sure to check for the latest information on the official website before attending.

[All seats non-reserved (with numbered entry / Tax included)]
Adult: JPY 5,000 
U29s: JPY 3,000 
U18s: JPY 1,000 
Discount for Persons with Disabilities: 10% discount from adult prices

→Book tickets (For credit cards issued outside Japan)

Accessibility

Show more accessibility details

For guests who are blind or have low vision
Audio Description & Touch tour available for guests who are blind or have low vision (Reservation required. Japanese Only)

For guests who are deaf or hard of hearing
English subtitles will be displayed above the stage.

For Visitors with Physical Disabilities
Visitors who use wheelchairs are welcome to attend.

For Those Who May Have Concerns About Attending Performances
Guide dogs, service dogs, and hearing dogs are welcome to accompany visitors.

Childcare service

For Visitors with Children
※We provide paid childcare that includes an art experience program for children from age 4 through elementary school age. Capacity is limited.
※Childcare is scheduled to be available during performance times.

Wheelchair Seating
Children Service
Operation of Hearing Loop 
Audio Description
Japanese Surtitles
Touch Tour
For more accessibility details

Profile

Photo of Anacarsis Ramos

© Nicté del Carmen

Direction and Space Design: Anacarsis Ramos

Playwright, stage designer, stage director and actor. He has studied theater and sociology. Member of the company Pornotráfico. His work investigates the relationship between social reality and its representation in the media, with a particular interest in the diverse applications of fiction in state, private and community contexts. Through lyricism, humour and parody, his works highlight the narrative construction of reality and expose the biases involved in representation. In addition to stage projects, he coordinates different pedagogical initiatives and stage research. He writes about theater in the blog Mataclase.

© Yvonne Venegas

Company: PORNOTRÁFICO

A group of artists based in CDMX who approach the scene as a space for experimenting with reality. We tend to appropriate resources of globalisation such as film clips, YouTube videos, commercials, pop songs and political propaganda, parasitise them with narratives of class struggle, colonisation, queer theories and neurodiversity and put them back into circulation, as (funny, if possible) works. We have used low-budget re-makes, fake subtitles, dubbing, karaoke, cosplay, power points and fake tutorials in almost all our works, seeking to challenge certain aesthetic elitism and copyright.

Creation: Pornotráfico
Direction and Space Design: Anacarsis Ramos
Text: Anacarsis Ramos based on Josefina Orlaineta's stories.

Cast: Josefina Orlaineta and Anacarsis Ramos

Dramaturgy: Santiago Villalpando
Research Advisor: Babis Zozoaya

Lighting, Sound and Video Design: Karla Sánchez "Kiwi"
Executive Production, Set Design and Props: Fausto Castaño
Set Painting: Josefina Orlaineta

Tour Management and Distribution: Roni Isola
Assistant Directors: Sofía León and Valentina Girón
Vlogger Recording Assistant: Emiliano Sandoval

Co-producers:
Festival Internacional del Centro Histórico de Campeche
Instituto de Cultura y Artes de Campeche
FULGOR - Encuentro escénico con los Estados 2024, curated by Mariana Arteaga andMariana Gándara.


Thanks to the Instituto de Cultura y Artes del Estado de Campeche and Fulgor, Encuentro escénico con los estados 2024.

PDF

Inquiries

Tokyo Metropolitan Theatre Box Office +81 -570-010-296 (10:00 to 19:00 excluding days when it is closed)

Book tickets